I suppose there’s a lot to see everywhere, if only you keep your eyes open.”
My work is mostly composites, revealing imagery through layers, fusing multiples to make something brand new.
From event and press photography to more formal corporate headshots. I also enjoy photographing pets.
Nothing is more powerful than a live performance. It’s even better when you can manage to capture it on film.
My first camera was a Pentax Super Program for film. I received it from my father when he decided to go digital with one of the first DSLR kits being offered by Nikon. That’s where I first learned about photography, how to use a camera, and how to take a picture, on that old Pentax. I memorized the manual. I knew that camera inside and out.
Years later, when I finally bought my first digital camera, I decided to go with Nikon because that’s what my dad used. I called him up to share the good news and he promptly told me he had just recently traded in all of his Nikon equipment for Canon instead. Life lessons. I still shoot Nikon.
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With connections to the Philadelphia music scene, my professional work has been focused on performance, press, and candid photography for local bands. Some portraiture work. Some events. A few pets. I really love photographing animals. They’re a lot of fun. And their apparent lack of self-consciousness makes them infinitely easier subjects than people.
In my personal work and art photography, I’m interested in details, transitions, juxtapositions, and layers, material and texture and form. I like graffiti, painted text and fonts. Numbers are cool. I like things that are weathered and aged, and falling apart—things that have been abandoned or forgotten by society and culture, and have grown beautiful in the process. A lot of what I shoot personally is inventory really, resource material I can pull from for my next series of work.
My first camera was a Pentax Super Program for film. I received it from my father when he decided to go digital with one of the first DSLR kits being offered by Nikon. That’s where I first learned about photography, how to use a camera, and how to take a picture, on that old Pentax. I memorized the manual. I knew that camera inside and out.
Years later, when I finally bought my first digital camera, I decided to go with Nikon because that’s what my dad used. I called him up to share the good news and he promptly told me he had just recently traded in all of his Nikon equipment for Canon instead. Life lessons. I still shoot Nikon.
—
With connections to the Philadelphia music scene, my professional work has been focused on performance, press, and candid photography for local bands. Some portraiture work. Some events. A few pets. I really love photographing animals. They’re a lot of fun. And their apparent lack of self-consciousness makes them infinitely easier subjects than people.
In my personal work and art photography, I’m interested in details, transitions, juxtapositions, and layers, material and texture and form. I like graffiti, painted text and fonts. Numbers are cool. I like things that are weathered and aged, and falling apart—things that have been abandoned or forgotten by society and culture, and have grown beautiful in the process. A lot of what I shoot personally is inventory really, resource material I can pull from for my next series of work.
The selected work shown above, as well as the featured portfolios below, represent only a small portion of my work, but I think offer a decent cross-section of my range. If you’re interested in spending more time and exploring the entire online archive, you can click on the Explore link at the top of the site, or use the link provided below.
The selected work shown above, as well as the featured portfolios below, represent only a small portion of my work, but I think offer a decent cross-section of my range. If you’re interested in spending more time and exploring the entire online archive, you can click on the Explore link at the top of the site, or use the link provided below.
This element is currently being updated. Please check back later for a new featured portfolio. If you’d like to view my work, you can always head over to the Archive and explore from there.
This element is currently being updated. Please check back later for a new featured portfolio. If you’d like to view my work, you can always head over to the Archive and explore from there.
This element is currently being updated. Please check back later for a new featured portfolio. If you’d like to view my work, you can always head over to the Archive and explore from there.
This element is currently being updated. Check back later for a new portfolio. If you’d like to view my work, you can head over to the Archive and explore.
This element is currently being updated. Check back later for a new portfolio. If you’d like to view my work, you can head over to the Archive and explore.
This element is currently being updated. Check back later for a new portfolio. If you’d like to view my work, you can head over to the Archive and explore.
All art photography shown here on the site is available for licensing or individual purchase. I can also work with imagery, ideas, or direction provided by you in order to create new content appropriate to your project’s needs.
Although both have their strengths, I have to be honest, I prefer the former to the latter. Candids are mysterious, possibly revealing a subject’s true self. Portraiture, on the other hand, reveals only what they want you to know.
Outside of adventures walking around the city and taking pictures of what I find, performance photography for me is the most fun. I love the energy. I love the passion. I don’t use flash. I’ll try and capture your soul.
All art photography shown here on the site is available for licensing or individual purchase. I can also work with imagery, ideas, or direction provided by you in order to create new content appropriate to your project’s needs.
Although both have their strengths, I have to be honest, I prefer the former to the latter. Candids are mysterious, possibly revealing a subject’s true self. Portraiture, on the other hand, reveals only what they want you to know.
Outside of adventures walking around the city and taking pictures of what I find, performance photography for me is the most fun. I love the energy. I love the passion. I don’t use flash. I’ll try and capture your soul.
